Private Thoughts - Yoga Teacher Trainees Journal Entry 9/26/2010

"Interesting thought that occurred to me today as I was getting ready this morning. I have been hesitating writing the “weekly journal” part of my required Yoga teacher training homework because in the back of my mind I am not sure where I should write. Should I write in my huge spiral journal notebook that I already started journaling in years ago but hardly ever write in? Should I use loose leaf paper so I can put it in my Yoga manual? Should I use a new, thinner spiral notebook that I dedicate to Yoga thoughts and class notes? Should I buy a beautiful journal to chronicle my thoughts and have as a keepsake for the future? Should I write in the computer? Perhaps even start a blog about my contemplations and jumpstart my formal writing aspirations with my yogic journey thereby killing two birds with one stone?

Apparently there are quite a few options.

Can you believe this? I am debating internally where to best collect my thoughts about this yoga journey when I should just be writing the damn thing.

Is there a cosmic lesson here? Could it be that I am learning something about myself? Could it be that I am sometimes paralyzed by form? Is the how taking up more importance and time than the why and the what?

The bottom line is that it needs to be done, for practical reasons as well as esoteric ones. I need to hand in something at the end of class detailing my journey, and I assume that the reason it is required is that the act of thinking about it and writing will chronicle the emotions and changes we experience while learning about Yoga philosophy and trying to incorporate it into our physical and mental lives.

I am doing this teacher training in part to learn how to correctly do and teach the poses. And yes, although form in Yoga is important, certainly we should not become slaves to the how and realize that the practice itself is enough. Sloppy handwriting does not diminish the power of the words.

Still not sure whether to print this or keep it in a computer file."

Nancy Rodriquez, 2010 Yoga Teacher Trainee

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The Book Shelf

What We’re Reading…

Yoga Haven Staff Picks

Students often ask what books our teachers are reading – what they find particularly inspiring or worthwhile.  So we decided to ask them.   We’re kicking off our Yoga Haven Staff Picks with Yoga Gems by Georg Feuerstein.  It’s a long-time favorite of teacher Karen Safire, who always keeps a copy close by.  Here’s what Karen had to say:

“Georg Feurerstein has filled the pages with pearls of wisdom and inspiration from yoga masters ancient and modern.  This is a book that you could read all the way through, but I think it is best left on the night table for some soothing words to help let go of a stressful day and create a smooth transition on to sleep, or picked up and flipped through when one needs a little inspiration.  I have had the book for several years, never tire of it, and continually return to its pages for new insight.  It truly is a “gem.”

Copies of Yoga Gems are available for purchase in the Yoga Haven office.  So stop on by and check it out.

Yoga Injury Question

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Following is the first student question we have received.  Please feel free to email a general question or a question for a specific teacher regarding yoga to betsy@yogahaven.com.

"Hi, I have been practicing Ashtanga Yoga for 1 year and I love it...but I have developed a couple injuries along the way.  Can you give me any idea why I might be having shoulder and neck issues?"

(response by Jill Ganassi)

It’s so important for yoga practitioners to recognize signs of strain or injury as early as possible.  What starts out as a nagging discomfort somewhere in your body could be a warning signal. For newer practitioners, it can sometimes take a while to become fully aware that something isn’t right.  As you gain experience, however, you’ll begin to develop an inner knowledge and connection to your body that allows you to recognize more quickly when something is wrong.  Then it takes humility, honesty, and openness to acknowledge that something might be going awry with your practice.  

incorrect chaturanga with shoulders dropping

torso and pelvis placement on the blocks
correct chaturanga

Those of us who have practiced regularly for long periods of time, have almost all had injuries.  So you’re not alone.  Believe it or not, injuries can be wonderful teachers.   They bring us to a deeper awareness of our physical alignment and function, the quality of our attention, the ability to hear that inner voice of knowing, and of course the ability to respect and respond to that voice with intelligence. 

 I’ve had many students over the years who have complained of shoulder and neck pain.  One reason for this is that in the practice of Ashtanga and other forms of yoga, there are some opportunities for repetitive upper body stress injuries from all of the Chaturanga Dandasana and Urdhva Mukha Svanasana (up-dog) in the sequence.   Chaturanga Dandasana is extremely difficult, because it requires both great strength and tremendous coordination of multiple muscle groups.   When lowering down into the pose from down dog or plank, the journey from straight arm to bent arm puts a load on the shoulder joint that can strain the tendons, ligaments, bursa, and other connective tissue.    Weakness in the rhomboids, middle trapizius, rear deltoids, terres minor, and tricep muscles, (upper back and back of arm), combined with tightness in the pectorals, front deltoids, subscapularus, and latisamus dorse (chest and front of arm), all combine to pull the head of the humerous (the top of the upper arm bone), forward, closing the chest and straining the front and rear of the shoulder joint.  If you watch people doing the pose from down dog or plank you can usually see this forward rolling and dropping of the shoulder on the way down.  And when your attention is brought to it, you can definitely feel it when it’s happening. 

So, what to do?  Well, once you’ve gotten an all-clear from your medical practitioner, the solution is to practice, practice, practice.  But in addition to working on chaturanga, practice all of the poses and exercises that strengthen those weak areas and stretch those tight ones.   Pec stretches at the wall are a good daily routine for all of us, and especially for people working on opening a tight chest. Any variety of chest-opening poses and stretches will make a difference in the process of slowly creating the condition in the chest that allows the muscles of the back body to hold the head of the humerus toward the back of the body.  Poses that strengthen the mid and upper back and triceps, such as cobra and locust, makarasana, bow, and bridge pose are great.  

Another unfortunate side effect of the shoulder rolling forward in chaturanga is that it causes the upper trapezium muscles to roll toward and, therefore, crowd and compress the back of the neck, causing neck strain.

block placement

Along with practicing the poses and stretches that support the strength and flexibility needed for Chaturanga, there are ways to practice the pose itself that can teach awareness of the needed actions without the strain of the full pose.  For example, the pose can be done with support.  Take 2 blocks.  Place one in front of the other on the lowest height to make the longest shape possible. 

Lie down with your pubic bone just in front of the first block, not on it, and rest your front torso on the 2 blocks.  Then take the general shape of Chaturanga.  Place your hands by your side ribs.  Separate your feet hip width and tuck your toes under.  Stretch your heels back and lift your kneecaps toward the ceiling, firming your quadriceps as much as possible.  Then, curl your tailbone toward your pubic bone.  Reach your side ribs forward and align your neck and head with your spine keeping your sternum parallel to the floor.  Maintaining all of that, lift your shoulder bones to the ceiling so that your upper back muscles contract and your chest opens.  Ideally your upper arm bones should be parallel to the floor and your forearms should be perpendicular to the floor, but in the beginning your hands can be a little further forward than that for more leverage.    Now, press down into your hands and the balls of your feet and engage all the muscles that you feel would be required to lift you evenly a half an inch off the blocks.   But don’t come off of them.  We’re just engaging muscles here.   Specifically focus on your quadriceps, abdominals, pecs and triceps.  After 30 seconds relax.  Repeat this 3 times.  Then repeat the process, but this time concentrate on keeping the front of your shoulders lifted as you go ahead and try to evenly raise yourself off the blocks.  Watch to see if your shoulder alignment corrects, once you’ve brought your focus and attention to that area of your body.  Good luck! 

Please feel free to email a general question or a question for a specific teacher regarding yoga to betsy@yogahaven.com.


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